|Bestellnr.: FS 0930
Once rather dismissively regarded as one of the few blondes in Hollywood whose hair was its own natural color, the glamorous actress Lola Albright (1924-2017) had a chequered movie career until her definitive big break arrived in 1958. That was when she was cast as the sophisticated night-club singer in NBC's newest television hit, the detective thriller "Peter Gunn," which aired from 1958 to 1961. The role made her a personality in her own right.
||The Jazz Singer on the 'Peter Gunn' TV Series (2 LP on 1 CD)
She said that Blake Edwards, the creator-producer-director of the series, had her in mind from the outset. "But," she added, "he had no idea I could sing. I had just recorded my first album." That was "Lola Wants You" on the Kem label, on which she sang a dozen standards and originals with her husky, sexy voice, treating them with the intimate approach required by the arrangements conceived and conducted by Dean Elliott.
In February 1959, she recorded her second album, titled "Dreamsville," this time for Columbia and surrounded by some excellent West Coast jazzmen under the direction of Henry Mancini. Her voice, pleasant as always, carried a group of jazz-flavored standards and six Mancini originals from the already-famed Peter Gunn score, in a pervasive and smoky jazz atmosphere. And that was that. Always independentminded, she subsequently pursued a widely-varied career in film and television until, tiring of the spotlight, she withdrew from public life in the 1970s.
Tracks #1-12, from the Kem Records 12" album "Lola Wants You" (Kem LP-101)
Tracks #13-24, from the Columbia 12" album "Dreamsville" (CS-8133)
Tracks #25-32, taken from the NBC TV Series "Peter Gunn"
Personnel on "Lola Wants You":
Lola Albright with Orchestra Arranged and Conducted by Dean Elliott
Tracks #1,3,4,7,9 & 12:
Don Fagerquist, trumpet; Jack Dumont, Ben Kanter, Howard Terry, Chuck Gentry, reeds & woodwinds; Vince Terri, guitar; Phil Stephens, bass; Milt Holland, drums.
Recorded at Gold Star Recording Studios, Hollywood, May 9, 1957
Tracks #2,5,6,8,10 & 11:
Don Fagerquist, trumpet; Hymie Gunkler, Ben Kanter, Howard Terry, Chuck Gentry, reeds & woodwinds; Bob Gibbons, guitar; Phil Stephens, bass; Nick Fatool, drums.
Recorded at Gold Star Recording Studios, Hollywood, May 16, 1957
Personnel on "Dreamsville":
Lola Albright with Orchestra Arranged and Conducted by Henry Mancini
Tracks #14,15,19 & 20:
Dick Nash, trombone; Ted Nash, flute; John Williams, piano; Victor Feldman, vibes; Bob Bain, guitar; Red Mitchell, bass; Shelly Manne, drums, plus string section.
Recorded at Radio Recorders, Hollywood, February 24, 1959
Tracks #13,17,18 & 21:
Same personnel but Ronny Lang, flute, replaces Ted Nash. Recorded at Radio Recorders, Hollywood, February 26, 1959
Tracks #16,22,23 & 24:
John Williams, piano; Victor Feldman, vibes; Tony Rizzi, guitar; Rollie Bundock, bass; Jack Sperling, drums.
Recorded at Radio Recorders, Hollywood, April 2, 1959
Personnel on Bonus Tracks:
Lola Albright sings on the 'Peter Gunn' TV series (1958-1961) Music under the direction of Henry Mancini
Original recordings produced Bill Richards (Kem), Paul Weston (Columbia),
Blake Edwards (Peter Gunn TV Series)
Produced for CD release by Jordi Pujol
Hi Fi / Stereo · 24-Bit Digitally Remastered
-Lola Wants You
"Prior to her starmaking turn as a nightclub singer on the TV classic Peter Gunn, Lola Albright recorded this slight but alluring session for Kem Records. From its cheesecake cover photo to Dean Elliott's lush, melodramatic arrangements, Lola Wants You is above all a tribute to the perennial salability of sex, and an engaging one at that. Albright's kittenish vocals are undeniably effective within their narrow range, and songs like "A Man, a Man, a Man" and "There's a Man in My Life" play nicely to her strengths."
Jason Ankeny -All Music Guide -Dreamsville
"Fans of Peter Gunn know Lola Albright as nightclub singer Edie Hart on that classic Blake Edwards TV series. This crossover album shows that Albright's considerable charm and talent were strong enough to merit her (sadly short-lived) recording career. Albright has a sexy, breathy, and jazz-inflected vocal style that is comparable to Peggy Lee and Julie London, and Henry Mancini's cool West Coast-style charts complement her low-key voice perfectly. One of the real pleasures of this album is hearing the vocal versions to so many of the songs from Mancini's hugely successful Peter Gunn instrumental album mixed in with the usual supper-club suspects. With the noted exception of the title track, none of these Mancini vocal versions went on to become widely recorded, which is probably explained by their beatnik eccentricity (molded to fit the black-turtleneck, bongos, and espresso style of Mancini's music). The most eccentric of these is saved for last, as Sammy Cahn's lyric for "Sorta Blue" casts Albright as a depressive cooing about how her melancholia is so deep that even booze and drugs can't lift her dashed spirits. This album is a time capsule for sure, but it's a great one and it deserves a CD reissue, just as Lola Albright's acting career merits a second look."
D ick Dedina -All Music Guide
" It's simply amazing how many vocalists Fresh Sound Records finds and re-introduces to today's ears that I've never heard of.
Lola Albright (1924-2017) was better known as a blond beauty actress on shows like "Peter Gunn" (on which she also sang), but these sessions from 57-61 showed that she knew how to carry a tune as well. Her voice has that vintage playful and "come hither" twinkle in the eye, and in the hands of orchestras lead by Dean Elliot and Henry Mancini, she writes "for a good time, call." on cozy pieces like the coy "Candy" and slinky "Put Your Arms Around Me." She shows a little vocal leg on the playful "All of You" and whispers in your ear on "Brief and Breezy," while oozing with temptation on "Dreamsville." She runs her fingers through your hair on "Slow and Easy" while leans back in the passenger seat on "Just You, Just Me." The songs from "Peter Gunn" have a TV feel to t hem, and she is more canary than chanteuse on "September in the Rain," and "How High The Moon," but you might not even be paying attention after the first two albums. WHEW! Better loosen your collar, buddy! The excellent liner notes give you some background on this lady, making this a real ringer."
George W. Harris (June 15, 2017)
- A Man, a Man, a Man (Miller-Elliott) 2:45
- Candy (David-Whitney-Kramer) 2:04
- Put Your Arms Around Me (McCree-Von Tilzer) 2:18
- Goodbye My Lover (Miller-Elliott) 2:27
- Aren't You Kinda Glad We Did (I. & G. Gershwin) 2:34
- I've Got a Crush on You (I. & G. Gershwin) 2:41
- Here 'Tis (Huddleston-Elliott) 2:20
- All of You (Cole Porter) 1:55
- There's a Man (Miller-Elliott) 2:26
- Think Of Me (Miller-Elliott) 2:46
- Do What You Gotta Do (Miller-Elliott) 2:29
- He's My Guy (Raye-De Paul) 2:47
- Two Sleepy People (Carmichael-Loesser) 3:07
- Dreamsville (Mancini-Evans-Livingston) 3:19
- We Kiss in a Shadow (Rodgers-Hammerstein II) 3:06
- Brief and Breezy (Mancini-Cahn) 3:15
- You're Driving Me Crazy! (Walter Donaldson) 2:44
- They Didn't Believe Me (Kern-Reynolds) 2:39
- Soft Sounds (Mancini-Cahn) 2:37
- Slow and Easy (Mancini-Cahn) 2:30
- It's Always You (Burke-Van Heusen) 3:50
- Straight to Baby (Mancini-Evans-Livingston) 2:49
- Just You, Just Me (Greer-Klages) 3:04
- Sorta Blue (Mancini-Cahn) 2:58
- How High the Moon (Lewis-Hamilton) 2:16
- September in the Rain (Warren-Dubin) 1:22
- Dancing on the Ceiling (Rodgers-Hart) 1:23
- Goody Goody (Malneck-Mercer) 1:20
- Straight to Baby (Mancini-Evans-Livingston) 1:15
- Lonesome Road (Shilkret-Austin) 1:29
- A Good Man Is Hard to Find (Eddie Green) 1:12
- Don't Get Around Much Anymore (Ellington-Russell) 1:29
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